We gave you a sneak peek at this fabulous modern fabric collection after Quilt Market, and this week we're back to share it in a big way. Introducing Improv by Amy Friend for Contempo Studio:
This is Amy's first fabric collection, and we're thrilled to have her designing for Contempo. We recently spoke with Amy to learn more about Improv.
How did you get into quilting and blogging?
I worked as a museum curator, but decided to stay home after
my kids were born. Modern quilting blogs were taking off. I’d learned to sew as
a kid—making garments with my mom and grandma, but traditional quilting never
drew me in. The modern quilting aesthetic was so interesting to me because I
loved the graphic, bold designs. I taught myself through experimenting and
online tutorials. My husband suggested I start my own quilting blog, which is
called “During Quiet Time” because that’s when I sewed, while my kids were
napping/resting.
Why is designing fabric a good fit for you?
In college, I studied studio art and art history, so I have
an art background. I have always enjoyed print making—repetitive design. Both
fabric design and foundation piecing are ways of working in that manner.
Why does foundation piecing appeal to you?
What I really like about it is the design potential—anything
you can draw with straight lines, you can create. It doesn’t have to be things
that are easily measured and rotary cut like half-square triangles. And you can
easily repeat them because you’ve drawn a pattern. If you simply improvise, you
can’t necessarily repeat the design. It allows me to be creative.
Also, I never want to copy anyone’s work and I feel that’s
one way I can avoid that—if you’re drawing by hand, you’re pretty much assured
it’s an original design.
How does being a quilter impact your fabric design?
I know what kinds of fabric I like to sew with, what I tend
to look for, and I created those types of fabric. For me, it’s lots of low
volume solids and small prints with textured backgrounds.
Tell us about your Improv fabrics.
My line features modern blenders. They can read as solid
from a distance, but there’s enough going on that you can fussy cut them for
specific areas. I started with things I like to doodle when I’m on the phone
and on hold. I do a lot of crosshatch sketching, and I like it as a quilting
method.
For the molehills print—I had paper piecing in mind—thinking
it could be used for shingles, scales, field of grass, etc. I used it on my owl
pillow as feathers.
The twisted screen print is an expanded crosshatch idea. I
was doodling and thought it looked like a patched screen—felt like it was a
modern textured solid. This is probably my favorite print in the collection.
The triangle prints are also doodles. I added the negative
space between them because modern quilting patterns have negative space.
It's the same with the little triangle bows. They also have asymmetry with an
improvisational feel. Tried to make them feel modern in the way my quilts feel
modern.
Let’s talk about Improv’s color palette.
The colors are the ones I found myself using the most in the
year prior to designing the fabric. They’re colors that I’m drawn to. I tend to
work in a minimal palette, and wanted to create a few little subgroups of
minimal palettes. For example, grays mixed with peaches, or with citron, or
with burgundy and rose. I like to use gray as my neutral because it highlights
the other colors I’m using. I love using gradients in my quilt designs, so the
palette has several values within each color.
The collection has a number of low-volume prints—they’re
great for cutting up and seaming and creating a cohesive background.
What do you like best about fabric design?
I’ve always enjoyed the whole process of completing a quilt.
This added a last step—the quilt was made in my own fabric. I feel like it
gives me more ownership of the whole piece.
The book talks about incorporating the design potential of
paper piecing. Designing a shape, and the repeating it. That’s how I’m
combining the two concepts of improvisation and paper piecing—improvisationally
sketching the design and then repeating it through paper piecing. Then maybe
rotating the blocks or using negative space, or otherwise giving them a modern
layout.
Tell us about “Tranquil,” your free quilt pattern.
I was trying to bridge the gap between a traditional
audience and modern quilting. It’s a traditional looking block, but it floats
in negative space. It’s a happy medium, showing how to incorporate my fabric
into more traditional designs.
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| The "Tranquil" free pattern will be available soon on our website. |
Amy designed several additional quilt (and pillow) patterns to showcase Improv, and we think you'll love them all!
"Caged"
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| Click here to read more about the pattern and find out where to purchase it. |
"Triangle Toss"
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| Click here to read more about the pattern and find out where to purchase it. |
"Bangles & Beads" (inspired by the bowtie print in the fabric collection!)
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| Click here to read more about the pattern and find out where to purchase it. |
"Flitter"
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| Click here to learn more about the quilt and find out where to purchase it. |
Owl Pillow (block featured in Amy's Improvisational Paper Piecing book)
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| Click here to learn more about this adorable owl pillow! |
Coneflower with Butterfly Pillow
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| Click here to learn more about this pillow and where to purchase the pattern. |
Snowdrop Pillow
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| Click here to learn more about the pillow and find out where to purchase it. |
Amy also has a coordinating thread collection with Aurifil.
Here's a peek at how well the threads coordinate with the Improv fabrics;
Keep visiting the blog this week--we have a week's worth of designers who will be sharing projects they've made using Improv! Come back tomorrow for the first one.
Click here to see the entire Improv collection. (Be sure to ask for it at your local quilt shop--it's shipping to shops now!)
Click here to visit Amy's website.
One more thing...Amy is also an EQ Ambassador, and EQ is currently offering Improv as the month's free fabric download for the EQ7 Fabric Library. Click here to find it.
