Wednesday, July 24, 2013

Christmas in July Blog Hop: Day 1


We're kicking off the Christmas in July blog hop with a tutorial to make an advent calendar using Nancy Halvorsen's Ho-Ho-Ho, Let It Snow collection!



Sometimes the fun of a panel is cutting it apart and using different sections to enhance a simple idea. Here, the panel sections alternate with rows of pockets ready to be filled with advent goodies.


You'll Need:
1 Ho-Ho-Ho, Let It Snow panel
½ yard dark teal print
3/4 yard light teal print
½ yard each red stripe and green stripe
¼ yard dot on white print
3/8 yard wavy stripe
Coordinating buttons from Just Another Button Company
27'' x 46'' piece of batting
1-1/4 yards backing fabric
Fusible web
Fabric marking pen

Trim the ''Ho Ho Ho'' panel section to measure 17-1/2'' W x 6-1/2'' H (approximately ¼'' into the green, past the light blue background)
Trim the ''Merry Christmas'' panel section to measure 11-3/4'' W x 8-1/2'' H
Trim the ''Joy'' panel section to measure 6-1/8'' W x 9'' H



From the dark teal print, cut (2) 3'' x 6-1/2'' pieces and (2) 3'' x 22-1/2'' pieces. Sew the short pieces to the sides of the ''Ho Ho Ho'' panel section and the long pieces to the top and bottom. (Some of these measurements are a little atypical; the dark teal borders help to make the panel sections the right sizes to fit with the pockets.)

From the dark teal print, cut (2) 1-3/8'' x 8-1/2'' pieces and (2) 1-1/2'' x 13-1/2'' pieces. Sew the short pieces to the sides of the ''Merry Christmas'' panel section and the long pieces to the top and bottom.

From the dark teal print, cut (2) 7/8'' x 9'' pieces and (2) 1-1/4'' x 6-1/2'' pieces. Sew the long pieces to the sides of the ''Joy'' panel section and the short pieces to the top and bottom.


From the light teal print, cut a 10-1/2'' x 22-1/2'' strip, a 9-1/2'' x 10-1/2'' piece and a 10-1/2'' x 16'' piece.

Sew the 10-1/2'' x 22-1/2'' light teal strip to the bottom of the ''Ho Ho Ho'' panel.
Sew the 9-1/2'' x 10-1/2'' light teal piece to the right side of the ''Merry Christmas'' panel.
Sew the 10-1/2'' x 16'' piece to the left side of the ''Joy'' panel.
Join the three sections together.



Layer the calendar top with batting and backing and quilt as desired. I used a 2''-wide diagonal crosshatch pattern. Reserve the remainder of the backing fabric to create the hanging sleeve.



From each of the red stripe and green stripe, cut a 7-1/2'' x 21-1/2'' piece, a 7-1/2'' x 14-1/2'' piece, and a 7-1/2'' square. 

Fold a 7-1/2'' x 21-1/2'' red stripe piece in half lengthwise, right sides together. Stitch both short sides using a scant ¼'' seam allowance. Turn right side out and press. Repeat with remaining stripe pieces.


Measure 5-3/4'' up from the top of the ''Merry Christmas'' dark teal border and draw a horizontal line. 

Position the raw edge of the longest red stripe piece on the line (shown in white below), with the rest of the red piece below. Pin in place and stitch, using a ¼'' seam allowance and backstitching at both ends. 

Press the red flap up and pin in place. 

Mark lines every 3-1/2'' along the red strip. Topstitch on each line, as well as along both short ends, backstitching at each end.



Repeat with the remaining strips as shown, using the following measurements to draw the positioning line.
Long green stripe piece: 1-1/4'' up from top of the ''Merry Christmas'' dark teal border.
Short red stripe piece: 6-1/4'' up from the top of the ''Joy'' dark teal border.
Short green stripe piece: 1-1/4'' up from the top of the ''Joy'' dark teal border.
Medium red stripe piece: 5-3/4'' up from bottom edge of quilt top.
Medium green stripe piece: 1-1/4'' up from bottom edge of quilt top.


Click here to download the pdf of the numbers. Trace the numbers onto the paper side of the fusible web. (I'll save you the figuring, as if you look closely below, you'll see that I initially counted wrong. You need eleven ''1''s, eight ''2''s, three ''3''s, three ''4''s, two ''5''s, two ''6''s, two ''7''s, two ''8''s, two ''9''s and two ''0''s.) 

Following the manufacturer's directions, fuse to the wrong side of the dot on white print. Cut out each number. Fuse the correct number onto the center of each pocket. You can measure if you like, but I just eyeballed it.


From the remaining backing fabric, cut an 8'' x 20'' piece. Press each short end in ½'', wrong sides together. Fold the piece in half lengthwise, wrong sides together. Stitch down the long edge.

 Pin to the back of the advent calendar, matching the raw edges of the sleeve with the top raw edges of the calendar. 


Cut (2) 5'' squares from the remaining backing fabric. Fold each in half on the diagonal, wrong sides together. Position on the back of the advent calendar in the bottom two corners, matching raw edges, and pin in place.


Cut (4) 2-1/2'' x 42'' wavy stripe strips for binding. Bind the quilt, catching the raw edges of the sleeve and triangles as you stitch. Blindstitch the bottom edge of the sleeve to the quilt back so it lays flat.

Hand stitch coordinating buttons onto the panel sections.
Carrot nose and bird on the wreath


Star on the right tree


Star below the words


We're giving you the opportunity to win a fat quarter bundle of the Ho-Ho-Ho, Let It Snow collection! The contest is open through Tuesday, July 31st at 11:59 pm EST. All you have to do is sign up to follow our blog (see Bloglovin' and email options in the righthand sidebar) and leave a comment letting us know you are doing so. For a second entry, like us on Facebook and leave a comment letting us know you are doing so. Good luck! 

And be sure to stop back here each day through the end of July to see more holiday tutorials! Plus, join our Christmas cookie recipe exchange on Facebook!



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Tuesday, July 23, 2013

Christmas in July Blog Hop!

We're excited to be kicking off our Christmas in July blog hop of tutorials and giveaways this week, featuring some of our favorite fabric lines and favorite bloggers!

Starting Wednesday, we'll be sharing five tutorials here on the blog. Here's what you'll find:

Wednesday: Benartex blog team, using Ho-Ho-Ho, Let It Snow
Thursday: Debby from Debby Kratovil Quilts, using Christmas Spectacular
Friday: Mary from Mary on Lake Pulaski, using Snowfolk
Monday: Wendy from Ivory Spring, using Peppermint Twist
Tuesday: Julie from The Crafty Quilter, using Home for the Holidays

p.s. In addition to whetting your fabric appetite, we'll be tempting your taste buds as well! Head over to our Facebook page for details on how to enter our Christmas cookie recipe exchange.
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Monday, July 22, 2013

Ho-Ho-Ho, Let It Snow! (just not in July!)


Today we're talking to Nancy Halvorsen, creator of the oh-so-fun collection, Ho-Ho-Ho, Let It Snow. The line includes a panel (approximately 24" x 42") and a wide variety of coordinates, shown below.


What was the starting point for Ho-Ho-Ho, Let It Snow?
For quite a while I had been thinking about doing a line that was exclusively snowmen. Because who doesn't love snowmen? I wanted to have it be something that could continue on through the winter after Christmas too. To me, it always seems so bare when you put all the Christmas decorations away.

Do you have a favorite print in this collection?
It would be hard to pick just one, but the print looking down at a snowman from the top is probably one of the more fun ones. I wanted to think of what I could do with a snowman that I hadn't seen before. When I put the words ''Ho Ho Ho'' on the panel, I was trying to think of something round for the ''O'' and realized that a snowman is round from above; it works for the shape. It was fun to come up with the idea of looking at a snowman from a different perspective. I usually try to find some new way to look at the things I'm doing—some new take.



Is it challenging to create a new and different holiday line each year?
I do try to change it up a little bit but at the same time stay true to my look. I like to maybe mix some new colors in and things like that. I feel like it refreshes me to put something new in that I haven't used before. I do the same thing with my Christmas decorations—take out something that I'm tired of and put something new in.

What is your actual design process?
I start sketching out on paper. Then I will scan my drawings into the computer and draw over what I've sketched. It's much easier to lay things out and size them on the computer—easy to move around. Drawing with the mouse is like drawing with a brick.

Who do you have in mind when you design?
I end up designing things that I want in my house. I think, ''Oh it would be fun to have a _____" and so far it's turned out to please everyone else as well!

Tell us about the stripe.
A lot of my designs in the past have been wavy lines instead of straight. I thought it would be fun to do a thick and thin wavy line to look like a decorated tree, or to put on the snowman's scarf—and it would be a great binding for a quilt too.


What's your favorite project in the coordinating Ho-Ho-Ho, Let It Snow pattern book you published?
I do love my round snowman pillow with the view of the snowman from above. I also like the snowflake made out of snowmen—a little surprise—you often don't notice the snowman in the flake right away.





Tell us a bit about yourself.
I've been designing patterns for 21 years. I started when my youngest daughter was 3. I have 4 children, all married now, and 8 grandchildren. It's been something that they've grown up with and I've grown up with. I have four very creative children. Three of them are in the graphic design/art/creation business and the other one composes music and is a sound engineer. They're all very creative. I'm by far not the most talented in my family—my children are far more talented than I am.

Why did you decide to name your company Art to Heart?
Always had a love for art. Before I started my company, I did tole painting, stained glass and cross stitch. I do truly have a tender spot in my heart for all things creative and artistic.

Learn more about Nancy and her work here.
See the entire Ho-Ho-Ho, Let It Snow collection here.
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Thursday, July 18, 2013

Snowfolk


We're kicking off Christmas in July with some welcoming winter friends: 
Snowfolk by Cheryl Haynes

The collection's panel has a folk art feel and was inspired by one of Cheryl's quilt patterns. 

And the coordinates? 
They're so cozy that just looking at them will make you yearn to cuddle up in front of a fireplace, sipping hot chocolate. And--added bonus--they are not all "winter themed" so you can use many in quilts year round!


Keep reading for an interview with Cheryl 
as she talks about her new Snowfolks collection:

What got you started on the Snowfolk line?
I've been designing patterns for 24 something years and one of my favorite patterns is a snowman quilt called ''My Snowman Quilt'' and that's where I got the idea for my snowman fabric.


Which fabric is your favorite in the collection?
The snowball texture. Worked with some different snowflakes shapes to create it. I like tone-on-tone fabrics—that's what I use the most for my quilts.



What was your favorite part about designing Snowfolk?
It put me in the holiday spirit! I designed it in the summer, and it was kind of fun designing snowmen in the summer.


Most challenging part about designing the line?
Getting the right shades of blues to work with the greens and reds, really just getting everything to coordinate and go together in one big group.

How do you start the design process?
I always draw my designs to begin. I also watercolor; I like to paint my designs.

Tell us a bit about yourself.
I'm a wife, a mother, a grandmother: I have three kids and six grandkids. I come from a family of basket makers and was a basket maker long before I was a quilter. Basically I just like to do arts and crafts and I always have. I have a big garden, and I love to do lots of canning in the summer. In fact, I'll be putting up peaches in the next couple of days!

Click here to see the entire Snowfolk collection.
Click here to find out more about Cheryl and see her patterns on her site, Prairie Grove Peddler. 




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It's time for...Christmas in July!

It's that time of year again...when the weather's hot and we start looking ahead to Christmas!


For the next two weeks, we'll be decked out in the holiday spirit: sharing our holiday collections, interviews with designers, a blog hop of Christmas tutorials, fabric giveaways, and even a cookie recipe exchange!

Don't miss any of the fun--be sure you're following the blog by email or through bloglovin' (sign up for either on the righthand sidebar), and follow us on Facebook!
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Wednesday, July 17, 2013

Sweetie Pie: Classic and Clean


Last week we showed you Michele Crawford's version of Sweetie Pie; today we have a more contemporary take to share, Caitlin Bevevino's pinwheel "Precious in Pink," featured in the August-September issue of Quilt magazine. 

"Precious in Pink" by Caitlin Bevevino,
featured in the August-September issue of Quilt magazine.

What attracted you to the fabric line?
I chose the Sweetie Pie collection because it was something fun and bright for a kid's quilt, without looking juvenile. 

What prompted to use only one color (the pink) in this quilt?
My aesthetic is pretty classic and clean, so using only pink was a natural choice for me. 

Why did you decide to make a pinwheel quilt?
I used pinwheels for the same reason; I love classic blocks and pinwheels have always been one of my favorites.  And, I think the mix of the bright fun fabric with the classic pattern gave it a nice contrast, and the pink really pops against the white. 

How did you decide on a border treatment?
The borders are pretty plain, but I think they accent the quilt nicely; they frame the quilt well without taking away from the pinwheels.  I usually lean toward plain borders when I want to really showcase the quilt blocks. 

Tell us about the coordinating pillows.
For the pillows, I added large rick rack and ball fringe because I've always loved those trims - especially rick rack! 

Find the kit for this project here.
See the entire Sweetie Pie collection here.
Find Quilt magazine here


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Tuesday, July 16, 2013

Technique Tuesday - Setting Blocks on the Diagonal


Today we are introducing a new feature on the blog: Technique Tuesday with Debby Kratovil. We are excited to have Debby sharing some of her favorite piecing tips and tricks with our blog readers, and we know you'll find the information she shares incredibly useful. 
Florabunda Collection
I'm delighted to share with my Benartex visitors a quilt technique that has baffled many of us: How to set blocks on point. What are the magic numbers to cut those pesky side and corner triangles so they not only fit, but there are no bias edges along the outside edges? This is one of the most popular lessons I have ever offered. I begin with the Florabunda collection by Broadway Studios. Pretty, huh?

I wanted a green fabric for the basket handle and applique, so I selected a fabric from an older the Benartex collection called Katie. By the way, I used that Katie collection to make the quilt on the cover of my new book and I called it Katie's Garden. That was easy!


Cover quilt using that awesome Katie Collection
I selected a block from my 2013 desktop quilting calendar
My block inspiration from my 2013 Block a Day calendar
Auditioning fabric for the side and corner triangles
I selected two of the fabrics and auditioned each one against the block. I like the second one better.
I like this better - stronger contrast
 Time to take the plunge and CUT!
Cutting the SIDE triangles from a 15-1/2" square
There are two sizes of triangles to consider. The first one is the side setting triangle (in picture above). We cut a square that is the finished size of the block (10"), MULTIPLIED by 1.414 and then we add 1-1/4" to that number for seams. I have a handy chart at the end of this blog post, so hold on and stop rolling your eyes. This is math talk, not trash talk! Our number is a whopping 15-1/2" square. Each square gives me 4 side triangles (that's all I need for my 4 block quilt).
Cutting the four CORNER triangles from two 8" squares
The formula for cutting the triangles for the four corners of the quilt: finished size (10"), DIVIDED by 1.414, then add 7/8" for seams. Now I'll show you how they look.
Two side triangles sewn on opposite sides of block; Corner triangle at the ready
The blocks are joined into DIAGONAL rows. The side triangles (there are 4) are added to the top left block, and then the single corner triangle. Press seams toward the floral triangles.

When you lay out your pieces as shown in the diagram below, it's easier to see the sewing sequence.

Can you see those last two remaining seams left for me to do?
Three diagonal rows; 2 remaining seams to do
I will sew those last two seams and then press them open to reduce bulk. When you consider setting your blocks on point, it opens up some wonderful setting options.

I will answer a quick question you might have about the seam allowances I quoted above. When a square is cut into FOUR TRIANGLES, you always consider the block size it will work with. And, you always add 1-1/4" to the size of the cut square so that it will fit the block or unit it is to go with. When a square is cut into TWO TRIANGLES, you consider the block size and only add 7/8" for seam allowances so it will fit with the block or unit it is paired with.

Here is my handy, dandy chart with formulas for standard sized blocks.
And I've done the math for most of them; just find the block size!

You can download this chart and print it out; then hang it up in your sewing room!
Setting Blocks on the Diagonal by Debby Kratovil
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